A B2B budget — Series-C visual energy

A sci-fi brand ad is a 30-60 second piece that drops your brand inside an invented future world: a floating city, a 2150 laboratory, a Tokyo street 80 years from now, a civilian Mars station. The fact that you currently sell SaaS, consulting, or a fairly ordinary B2B product is precisely the point. The format fits tech companies, fintech, biotech, AI products, cybersecurity, and any company that wants to flag itself as the innovation leader in a conservative category. The ad takes the viewer to a place that does not exist, shows your product or value inside it, then lands gently back in the real world with a clear CTA.

Direction matters here more than anywhere else. The piece cannot feel like a video-game trailer; it has to read as real cinema. I build the environment in Sora 2 for photoreal landscapes with realistic physics, drop in Seedance 2.0 for specific product shots inside that environment, and use Kling 2 for scenes with human characters interacting with the technology. The brief stage runs longer than usual because we have to define the rules of the invented world, the aesthetic, and the link between the future and your present-day value, so the audience does not just think it looks nice but understands what you are saying.

You receive a 45-60 second master for the website and conference screens, a 15-second cut for Stories and performance campaigns, and a set of static frames usable on the homepage, in investor decks, and as printed marketing. Production runs 18-30 working days, because building an invented world takes more iteration than directing inside reality. At the end you have a brand visual concept that future campaigns can build on, not just one ad.